There aren't many directors one can identify simply by looking at a brief clip of his or her work. Alfred Hitchcock comes to mind; so do Michelangelo Antonioni and Jean-Luc Godard. Their films, constructed wholly on their own terms, create singular, unmistakable worlds. In America today, there is at least one director who does this too: Wes Anderson.
Whether Anderson is telling the story of a family struggling with ghosts of its past and future (The Royal Tenenbaums, The Darjeeling Limited), portraying the absurdist adventures of a Cousteau-like adventurer (The Life Aquatic With Steve Zissou), or, as in his new film, Moonrise Kingdom, presenting a tale of twisted innocence, his work is impossible to mistake. His signature is apparent even in commercials—from his classic self-parody for American Express to recent ads for the Korean automobile company Hyundai. Anderson doesn't pander or create market-tested characters; nor does he see the point in cleaning up reality. (Warping it is a different story.)
My favorite Wes Anderson films are The Royal Tenenbaums:
and The Darjeeling Limited:
I'm still excited to see Moonrise Kingdom!
Can't wait to see it!
ReplyDeleteI love The Life Aquatic. Wes Anderson is just in his own league. You either love it or hate it, unfortunately.
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